Fifth Grade looked at Salvador Dali and his Surrealism.  We have posted on Salvador Dali in the past.  Click HERE for previous posts.
Have a look at the Surreal clock by Dali.
I had seen these cool clocks made of clay on Pinterest.  I always wanted to give it a try, so I did.
My fifth grade class is quite talented.  I knew that they would be up for the challenge.  I took pictures along the way to help art teachers have a detailed description of the project.  I hope this is helpful!
I decided that we would paint the clocks.  Why?  Well, I did one myself.  I did it a very sensible size.  Then, I cut an oval for the students’ clocks and I did not compare the ovals.  Well the oval was huge and the kids’ clocks came out very LARGE.  I had to bring in 5 extra tables to hold the clocks.  This is just another stellar moment in the life of Karen Ray, art teacher.  Oh Boy!
Have a look-
Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock
Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock
Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock
Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock
Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock
Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock
Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock
Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock
Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock
Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock
Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock Rock
What song goes with this post?  Well, there were hints all along the post.  See the word “Rock” around the clocks? 😉😉😉😉😉😉
Here’s Bill Haley & his Comets!

Each year the second grade does a program based on the book, Mr. Popper’s Penguins.  Last year, the kids made these penguins.  Click HERE to see.
This year, we went for the penguin on an iceberg.  These penguins are pretty funny.  If you knew the kids, they would be even funnier.  Check all of the penguins out below.
Penguin on a Broken Iceberg (yeah, it broke when being fired in the kiln)
Here’s the size of the penguins.
I think this penguin got in the sauce.
Obviously, this penguin has Betty Davis eyes.
How about a mohawk penguin?
Oh my, such a shy penguin.
The penguin below just realized her forgot his wife’s anniversary.
How about this penguin?  Swagging like a flat pancake.
Penguin and his snowman friend.
The snowman and the penguin are good friends.  They are just all snuggled up on the iceberg.  Nothing like a good friend, folks.  Check out this sweet, sweet video with a father-daughter singing, “You’ve Got A Friend in Me.”
Say what?
Okay, so you have to realize that we live in a rural area and people are very into hunting and fishing.  Seriously.  I mean very seriously into hunting and fishing.
So where did this project come from?
For some reason I was just sitting and thinking about what first grade could make with clay.  I decided on a fish.  I googled fish and Big Mouth Billy Bass popped up on my screen.  I thought, THAT IS IT! 
I gave the kids a small slab.
They cut a fish of their choice.
They used simple tools to make designs in the fish.
About an hour after they left, I attached the fish to a slab.  Then, I put paper towels under each side of the fish so the sides of the fish would prop up, like a real mounted fish.
Later, I carved their name and date on the fish.
I fired.
They painted.
I painted over where I had carved their name and date on the fish.
Here is a look at the process.
What else would I end with?  
I recently went to the NAEA conference in New York City.  One morning we jetted to the MOMA and saw a little art.  One fun piece was this Claes Oldenburg “Floor Cone”.  Have a look at the cone and it’s description.
Did you notice the resemblance of the clay cone and Oldenburg’s cone?  Fun, huh?  The cherry is an added touch by one of my third graders.
I talked about Claes Oldenburg.
For previous posts on Claes Oldenburg, Click HERE.
The kids made a tiny pinch pot.
The kids rolled up a cone.
The kids attached the pinch pot and the cone.
The kids added details.
I fired.
They painted their clay projects.
Tutti Frutti would be a good ice cream name.  Here’s Little Richard singing “Long Tall Sally” and “Tutti Frutti”,
I love lava lamps.  I probably have 25 or so.  I guess you could say that I collect them.  I remember my dad having a gold lava lamp back in the 70s.  My dad’s lava lamp had red lava.  
The kids know that I love lava lamps because I have them in my classroom.  I figure if they get bored, the lava lamps are always interesting to look at.
The project?
I rolled out slabs on a slab roller.
I reviewed slipping and scoring clay.
Kids designed their lava lamps with clay.
I fired.
The painted.
That’s it, y’all!
Have a look!
Imma ending this post with The B-52s “Hot Lava”.  It is a slow version and the YouTubers have some interesting comments for the B’s lovers…And I love the B’s.
See our other post on pinch pots.
This project was put together in one day.
We let the greenware get bone dry.
Fired in kiln from 04 slow to bisque.
Glazed the bisque and fired from 06.
When was the last time you did a clay lesson?
It is pretty therapeutic for all involved. Our classroom teachers and staff like to get in on the learning fun. Have ever invited your administration to your classroom to make the project you were introducing to you class? If not, you should!’s-Development.html
Great article in the link above!

By Patty Storms – Lakeside Pottery

In recent years, as budget concerns reduced art programs in schools (in particular elementary schools), there has been a great deal of research about the importance of art in child development. From my own experience as an artist and ceramic teacher, I believe that few art mediums kindle growth and skills in children in the way that clay does. At Lakeside Pottery Ceramic School and Studio in Stamford CT, I have taught children (ages 6 to 15) for the last several years. During that time, I have witnessed firsthand how invaluable the experience of working with clay is for sensory development, motor skills, self esteem, and self expression, problem solving skills, discipline, and pride. Clay also has a uniquely therapeutic quality that I have seen settle and calm children; it retains their attention for hours.

There is no better moment for me than witnessing a child’s joy as they sit at the potter’s wheel for the first time and place their wet hands on slowly spinning clay! Clay, and its necessity to be touched, is at once familiar to children. The sensory experiences they encounter in our pottery studio are numerous and as they experience the texture and feel of the clay, the students express what they are sensing with uninhibited enthusiasm; “It’s cold, it’s wet and squishy, and it’s so heavy!” Clay asks to be poked, pinched, twisted and rolled and as they handle it, children develop both fine and major motor skills and realize that they have an effect on the clay as it responds to their manipulation. Children visually inspect the clay’s surface and color, they smell it and they laugh at the sounds it makes when it’s wet. For many, it’s perhaps the first time they’ve been encouraged to get wet and dirty in a classroom environment and there is an instinctive and uplifting response to the freedom they feel. Even when the finished product is ready to take home, the children hold and cradle their work, smoothing their fingers over the now colorfully glazed surface as they turn it around and around for inspection.


From my experience as an art teacher, I believe that clay is a unique art medium because it is highly responsive to touch and very forgiving. As soon as children are given clay, they immediately begin to mold and shape it. They become aware that they are in charge and have influence over the medium as it is quick to respond to their fingers. The feeling that they are in command of the clay gives the students the confidence to attempt any project which opens the door to greater self expression and imagination. Clay also allows a child to learn to repair mistakes and therefore not be afraid to make them. Making mistakes is essential for self improvement but can be difficult and even an obstacle for some children. The forgiving quality of clay, and therefore the ability to readily fix mistakes, gives the child a sense of control over their project’s success which improves self esteem and self expression as they realize that mistakes aren’t going to stop their progress. For example, during a class, a boy had been working on his project, a toothbrush holder that looked like a baseball player, for over two hours. All of a sudden he accidentally pierced a hole right through the side of the project while decorating. He looked up at us devastated. But as I showed him how to take a piece of clay and fill in the damaged area, he suddenly took the clay from my hand and stated, “I can do it myself!” He repaired his piece and went on decorating with fervor.


Clay is different from other art mediums in that it requires an understanding of the three dimensional world. In our programs, we often encourage the children to work on spinning decorating wheels or to get up from their seats and walk to the other side of the table so they can see their creation from all sides. They begin to understand shape, form, and perspective, and therefore get a first lesson in geometry. The child learns to really look and see the world around them and discovers their place in that world. They gain knowledge of planning methods and problem solving as they map out their three dimensional project. Where should the door go on my square castle? How tall can I make the tree before it gets unsteady? Should my dog’s tail go out straight or curl up over his head? If my rabbit’s head is too big for its body will it fall over? We encourage the children to think on their own and help with the planning experience. For example, when we make a cylinder we start with a flat rectangular piece of slab clay which the students decorate and design as it lies on the table. As they are working we ask them how we could use this flat rectangle to make a standing vase. It’s wonderful to see them understand how to roll it into a cylinder and we always have a few children who forecast the next step by saying, “We need a bottom!”

“While there are rules and procedures that need to be followed when working with clay, I find that children are very good about understanding guidelines and respecting procedures. Through this understanding they learn something that is very important: discipline yields success. The methods I teach are simple, (e.g. don’t allow a piece of clay to be too thick, or a skinny tail should be connected to the body for support). I explain why the techniques are important (if the clay is too thick it won’t dry properly or if the tail is too skinny and doesn’t connect to the body it might break off because it is too weak) and the children grasp the concepts easily learning basic physics. The most important rule is “slipping and scoring.” This is used anytime two pieces of clay are joined together and if it’s overlooked, pieces may fall off or crack during the firing process. I’ll often hear one child remind another to “slip and score,” and they like to call out the rule as I am giving instructions. I give the children adult pottery tools to work with and they understand the responsibility they are being given and are careful. Throughout the entire period of using specific techniques and real tools, they are conscientious and thorough as they follow the process step by step. I am always thrilled when they remind me of other rules they have learned, such as when they say “Patty, don’t forget to poke a hole in my cat’s head, it’s hollow and the air needs to get out or it will crack!”


Our children’s after school programs are two hours long and our summer camp classes run for three hours. I have many parents who express concern that their child might not be able to stay on task for that long, however the opposite is always true. While I have worked with students in other art mediums, something magical happens when children work with clay. Whether it is the sensory response to the clay, the ability to be in charge of the medium or, perhaps, the ability to express and articulate their emotions through their physical prodding or smoothing of the clay, all children, even those with high activity levels, become engaged and engrossed in their work. The class of twelve children is composed and quiet and the hours melt away. The children don’t experience frustration or disappointment because the clay is flexible and compliant. While I am unaware of research in this area I can attest to the calming and healing results as I have seen them at the studio time and again.

At Lakeside Pottery, we all teach ceramics with the philosophy that the process is more important than the product. I place emphasis on the discovery and joy of creating, however, there is an excitement for children as they make their mug or pencil holder and announce that it’s for their grandmother’s coffee or for their dad’s desk. The functional and durable nature of the finished stoneware clay gives children a feeling of significance and pride. I will often give the students the option of putting glass chips in the bottom of their bowls or plates as part of the glazing process. When I explain that though it is beautiful, it might make the piece not safe for food, many children say no to the glass because it is important for their bowl to be used as a center piece at their table. All forms of art are important for children to experience, yet it does seem that the long-lasting nature of the children’s finished clay piece adds a special value for them. We often ask parents what artistic creation their mother has kept on her shelf for years, and they all answer that it is the pottery they made in grade school.

It is always fulfilling for me to introduce clay to children and watch its unique qualities contribute to their development in so many ways. Knowing how valuable clay is to children’s achievements and because it is discouraging to see limits put on our children’s school art programs, Lakeside Pottery has helped schools start clay curriculums; worked with children with special needs, trained teachers to work with clay, assisted in purchasing and setting up equipment, and helped plan and design school studios. We have shared the clay experience both in outreach programs in schools and children’s workshops within our studio with the belief that clay is an essential element for nurturing children’s growth.

Thanks for stopping by, 1969
So, I saw this lesson on Mrs. Knight’s Smartest Artists Art Education blog. See link 
She saw it on Artsmudge another Art Education Blog
I love sharing on connecting online with my Professional Learning Network. Even though we basically taught the same lesson all of the owls turned out very unique.
We used white clay. Greenware to bisque was at 04 on slow. Bisque to glaze firing was 06 on fast. We use Stroke N Coat glazes.

Side note, I love creating owls. 1965 and I were both Chi Omegas at the University of Georgia. Chi O symbol is an owl…so yeah, I am partial to this type of lesson with this subject matter 😉
Art Club is a less formal time for kids to create this year in class. We have it 2x a week during 8th period. I have placed several owl videos in the blog for kids to get a feel of just how owls act.
I had to laugh at my 1 R2D2. Directions were to create a clay owl. This guy wasn’t feeling an owl, so he busted out some Star Wars. Ok, I can live with that…he turned out pretty cute! I just giggle everytime I think about it …Happy Friday, 1969
This lesson was so successful that I wanted to share in 2 post. My kiddos did a great job and I wanted to share as many examples as I could. See my Tuesday post below:
This was the most creative Heart pinch pot! It is a dinosaur. Pretty clever
Other clay heart lessons that we have taught:
Enjoy! 1969

 We used white low fire clay
Gave the kids a handful
Demo on how to make a pinch pot
Showed examples
Molded it into a heart
Some added textures with stamps
Fired at 04 slow from greenware to bisque
Glazed with Stroke n Coat
Fired at 06 fast

Happy Valentine’s Day, 2017
Kids love clay at all ages. This was a lesson where they needed to put a lid on their creation.
We started with a handful of clay.
They used the pinch pot method.
These were fired at 04 from greeenware to bisque.
Then 06 using Stroke and Coat to Glaze firing.